Tori Amos – 97 Bonnie and Clyde.
January 23rd 2009 08:05
I find great difficulty in expressing the awesomeness of Tori Amos. Her music is classy, emotional, intense. Her work is… more pretentious than I tend to like. Artistic to the point of pointless. But that’s no thing. It sounds awesome.
One thing about Tori is that she’s a feminist. So as one might be able to simply assume safely, she’s not the biggest supporter of the following song;
Horrified that people were dancing and enjoying music about the murder of a mother, Amos performed her own version of the song, keeping the lyrics essentially the same. In the recorded version, Amos sings from inside a box to give the feeling that she is in the boot of the car – giving voice to the voiceless mother. This here is a recorded live version of the song.
One thing about Tori is that she’s a feminist. So as one might be able to simply assume safely, she’s not the biggest supporter of the following song;
Horrified that people were dancing and enjoying music about the murder of a mother, Amos performed her own version of the song, keeping the lyrics essentially the same. In the recorded version, Amos sings from inside a box to give the feeling that she is in the boot of the car – giving voice to the voiceless mother. This here is a recorded live version of the song.
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